Продавать не скниги, а сеть контента

I downloaded the Logos iPhone app during Bob’s talk so that I could have a better feel for what he was describing.  You might think it’s nothing more than an ebook reader like Stanza but there’s more to it than that.  It comes with a number of books built in, including a few Bibles.  If you’re using one translation and you wonder what the same verse looks like in another translation, just touch the verse number, select one of your other Bibles and the app takes you right to that same verse.

Seems pretty simple, right?  That’s just the start.  Curious to learn more about a person, place or word in the Bible?  Just touch and hold and the Logos app lets you search for it throughout the Bible or in a seemingly endless list of other Logos products.

This is the “network effect” Bob referred to in his session’s title.  You start reading the Bible in the Logos app but before you know it you’ve hopped to several other resources, clicking from one link to the next, learning more and more along the way.  It’s similar to when you start researching something in Bing or Google and a couple of hours later you realize you’re 20 links deep; you have no idea how you got there but every link has added to the journey.

When was the last time you had that feeling with an ebook or app?  Have you ever had that feeling in an ebook?  I haven’t, and that’s because most publishers are just selling an individual ebook, not a network of content.  What makes the Logos product so powerful is that they’ve spent a lot of time curating their content, building links across products and thinking about how their customers can get the most out of it.  They’re not selling individual titles as much as they’re selling access to their larger service.

That brings me to “value”, the other key takeaway from Bob’s session.  It’s important to note that this isn’t just a bunch of related books that have been slapped together.  Logos has taken the time to leverage the content, add value and build on the network philosophy.  Most publishers are complaining about the $9.99 ebook model but Logos is doing something about it.  They’re offering their content in a manner where the total is far greater than the sum of the parts.

You might think this is a model that only works with reference content that doesn’t change over time.  You’d be wrong.  The “total-is-greater-than-the-sum-of-the-parts” model can be applied to just about any type of reference, how-to and even fiction material.  And when it is, the resulting product has far more value than what you get from a quick, standalone print-to-e conversion.

Download the Logos app, spend some time in it and see if you don’t agree.  It’s time to stop thinking about standalone ebooks and focus more on the larger network product opportunities.

Во исполнение мечты Александра Иванова.

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Новый пятилетний план Обамы: всем школам перейти на эл.учебники

Education Secretary Arne Duncan and Federal Communications Commission chairman Julius Genachowski on Wednesday challenged schools and companies to get digital textbooks in students’ hands within five years.

План неплохой. Ещё бы стандарты были. А то K8 в лес, а iBooks по дрова.

Widescript – облачная читалка в аренду

We make a high-quality cloud-based e-book reader for publishers.

Вот ещё вариант: фирма предлагает издателям получить свою “собственную” облачную читалку, которая, естественно, будет работать во всех устройствах с современными браузерами.
Попросил прислать демо-доступ, посмотреть — как же это оно изнутри. Заодно поинтересовался и ценами. Жду ответа.

Студия WALRUS сделала в iBooks Author журнал

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Смотреть, естественно, можно только в iBooks на iPad. Или как PDF ;)

Даже крохотное сумасбродное издательство занялось буктрейлерами: Ritual America – Feral House

Реклама новой книжки Feral House о масонской Америке.

Сет Годин о непиратстве

Web users have been trained long enough to know what they want: everything.

That’s the promise of the web. Every book for sale at Amazon. Every search result visible on Google. Every auctioned item right there on eBay.

Not piracy. Availability.

The music industry got confused about this and decided that people merely wanted to steal music. What’s clear now from the rise of iTunes as well as ad and subscriber-supported services like Spotify is that people will happily pay as long as it brings most everything along for the ride.

And Netflix shows us that subscriptions are generally more welcomed than a la carte sales.

Into this world walks the MPAA, the movie business and the folks who make books.

And once again, there’s the same mistake: they think piracy is the problem. It’s not. The problem is that these providers are doing nothing to embrace ubiquity, because their heritage is all about scarcity.

When the VHS came along, the MPAA insisted that the movie industry would be killed by it. They finally listened to the market and made a fortune. And when DVD came along, the same thing happened. Form factors change and the business model that supports them must change as well. The business model for an ebook can’t possibly be the same as it is for a paper book, despite the best efforts and hyperventilation of a few overpaid book publishing executives.

When in doubt, move toward ubiquity. When wondering, favor subscriptions.

Readers will pay.

Moviegoers will pay.

If you give them what they want, which is everything, right now, easily found and discussed.

Отличная картинка для календаря public domain

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Исландия – наше будущее

Finally, one of the biggest reasons why the Icelandic publishing industry is so vibrant is almost counter-intuitively that Icelandic authors are underpaid . . . and accept it. Before the translation boom, the only way even bestselling Icelandic authors could expect to make a (slim) living off of their books was through government grants and a day job.

К вопросу о голодных авторах.

Так листать электронные книги значительно приятнее – YouTube

Вниманию @falanster: продажи эл.книг независимыми книжными магазинами растёт. В США

Matt reported that the percentage of ebook sales to total sales on ABA member web sites rose from 0.7% to 5.2% in 2011. That’s a 750% increase, which is impressive even though the Google eBook capability kicked in during that year. But it is also actually understated, because the total volume of business on these sites rose by 82%. So the share increase of 750% is in an environment where total sales nearly doubled.

Онлайн торговля челнов Американской ассоциации проадцов книг выросла в 2011 году на 82%, при этом продажи ими электронных книг выросли в 7,5 раз и составили 5,2% выручки. Думаю, российским книжным магазинам, за исключением, разве что, «Москвы», до этого пока оооочень далеко. Хотя бы потому, что у них и онлайновых магазинов-то почти нет. Но почему бы не задуматься?

Клондайк

When I phoned Neil Gaiman last week to ask him about the stramash over Apple’s new iBooks Author app , he said publishing these days was like “the Klondike. Nobody knows what’s going on. All they know is that there’s gold in them thar hills and they want to try to get hold of it.”

Очень точное сравнение. Не потому что Нил Гейман, а потому, что ровно то же самое, только по-русски, сказал мне мой друг, издатель, который The Guardian не читает, несколько дней назад. Правда, он ещё пожелал не застолбить случайно «минусовый» участок…